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The Killer Shrews/I Bury the Living (1959)
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In the late 1950's and 1960's a motley crew of independent film producers pumped up double bills with sinister mayhem and horror. Whether the venue was a run-down movie palace, a musty neighborhood theatre or a drive-in under the stars, kids, teenagers on dates, and outcasts found themselves receptive to the promise of witnessing the unveiling of macabre secrets, nearly forbidden, it seemed, because of the bloody gruesomeness or lascivious sexuality hinted at by the | | |
