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Reputed For His Mastery At the Piano
The leader of one of the most popular combos in jazz during the Fifties and early Sixties, the blind George Shearing (b. 1919) was reputed for his mastery at the piano, the instrument he played in a sophisticated style he termed "locked hands". Shearing was also known for the unique sound of his quintet, which featured an unusual lineup, with the vibraphone and guitar tripling the melody. Shearing's very special sound proved fruitful during his heyday, when he was one of the best-selling jazzmen around. A notable composer, the blind pianist wrote numbers which have become classics: "Lullaby of Birdland," "Conception," "Consternation"...Among Shearing's other contributions is his pioneering interest in small-group. Afro-Cuban sounds during the Fifties, a period when he employed Latin-oriented sidemen such as Mongo Santamaria, Willie Bobo or Cal Tjader. A much-respected artist, he has performed alongside jazz greats such as Oscar Pettiford, Peggy Lee, Wes Montgomery, Mel Torme or Jim Hall.
Besides gathering different clips and soundies featuring the great George Shearing and his combo, this video includes additional numbers showcasing what we could term Fifties Swingers: Mel Torme, the Slam Stewart Trio, Slim Gallard, the Bob Cats, and others. In all, a splendid compilation.
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