Since our establishment in 1999, we've proudly provided a DVD rentals by mail service, featuring a carefully curated library of around 60,000 titles. Our diverse range, covering both classic and modern films along with TV series, has reached customers all over the U.S. We're thrilled to launch a new version of CAFEDVD on Septermber 29 2023 to expand our service and offering.    
Home     |     Cart     |     My Account     |     My Wish List     |     Help      
 

  Search
 
 
 
  Genres:
Action Music
Animation Romance
Classic Sci-Fi
Comedy Sports
Cult Suspense
Documentary Special Int
Drama Television
Family Thriller
Foreign War
Horror Western
Independent PG-13,PG,G
 
  1001 Movies You Must
   See Before You Die
  Most Requested
  Directors
  New Releases
  Popular Independent
  Criterion Collection
  All Time Favorites
  AFI 100
  Staff Recommended A-M
  Staff Recommended N-Z
  Best of Contemporary
   Foreign Films
  Best of British Film
  Best of Documentary
   Films
  Roger Ebert's
   Overlooked Film Festival
  Top Shakespeare
   Adaptations
  Best of Avant Garde
  Best of Romance
  Select Sentimental
  Cream of Comedy
  Best Recent American
   Features
  Movies by 40
   Directors to watch
  Best Cinematography
  Masters of Montage
  Hollywood
   Contemporary Classic
  Cannes Winners
  Vatican Picks
  Best American
   Independent
  Best of
   Science-Fiction
 .


Photo Coming Soon
Dialogues Of The Carmelites: Poulenc - Opera Australia (1985)
Rating:
Starring: Heather Begg, Anne Marie McDonald, Joan Sutherland
Director: Eluah Moshinsky
Category: Classics, Classics
Studio: Kultur
Subtitles:
English
Length:
159 mins

 
 

 

Poulenc's only full-length opera is firmly rooted in the post World War II era. Based on the historical events of the time of the French Revolution, this story of a community of Carmelite nuns who go to the guillotine rather than renounce their calling can be received in many ways. Poulenc's warmly melodic and lyrical score is wholly dramatic and gripping, and Joan Sutherland, recreating the role she sang at the opera's British premiere in 1958, sings the second prioress with commanding moderation. This production serves the inspiration of Poulenc in every important particular style, economy and theatrical force.