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Ishi: The Last Yahi (1978)
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Narrated by Linda Hunt
"Ishi, certainly is a remarkable individual.His will to live, not simply exist, but attempt to live happily is an inspiration to the human community.We would do well to examine a culture that produced such a person."- Brian Bibby
Ishi, The Last Yahi chronicles the unforgettable story of Ishi, the last survivor of the Yahi tribe following extensive massacres of Native Americans in California in the 1860s and 1870s.Ishi and a handful of his tribe refused to surrender, choosing instead to live in hiding.After 40 years and the death of all the others, one day in 1911 Ishi, alone and near starvation, walked out of the wilderness and into the white man's world.
Newspapers labeled him "the last wild Indian" or "the last Stone Age Man in North America," to the public he was an exotic curiosity, but for young anthropologist Alfred Kroeber, Ishi's appearance was a scientific windfall.Kroeber had been searching for years to find "wild uncontaminated Indians" who could document aboriginal life in America.Through Kroeber's invitation, Ishi left a jail cell and lived out the remaining four years of his life at the Museum of Anthropology in San Francisco, relating Yahi stories and demonstrating the traditional way of life he knew so well.His quiet dignity and extraordinary lack of bitterness towards the people who had destroyed his tribe greatly impressed everyone who met him.
Ishi, The Last Yahi skillfully blends haunting photographs, archival film footage, recordings Kroeber made of Ishi's voice, and illuminating commentary by authorities on Native American cultures.More than an indictment of the "manifest destiny" white settlers used as an excuse to annihilate Native Americans, the message in this deeply moving film is one of the resilience of the human spirit.Ishi survived the murder of his people, the loss of his way of life, the 40 year isolation, and yet somehow came out whole, psychologically and physically, as he entered the society of those who had destroyed his people.
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